I don’t draw super heroes very often- it’s not that I have anything against them, I wouldn’t be drawing comics at all if it weren’t for the super heroes genre! So this is “the Pigeon” a character I’ve sketched up for my ever expanding story “A Brooklyn Something” if you read that earlier page from the post before- well. the story was supposed to be short and concise– obviously two words I really don’t comprehend at all. I won’t tell you anything about the noble and triumphant Pigeon- you’ll just have to wait for more!
Drawing, Drawing, etc. I’ve started a project that I thought I might have finished before MoCCA. When I started it, I envisioned crisp short story, that had a definite ending. I still think it could be that but maybe not so short… here’s the first page from it. I still wrestling with whether to color it or not. The story is called “a Brooklyn Something”
In other news- Dr. Katie Monnin, My interviewer from Graphic Novel reporter has a new blog discussing the application of Graphic Novels in education. Check it out here.
As I’m preparing to attend MoCCA at the beginning of June I was playing around with making a new mini-comic- maybe a sequel to my collection of short comics- “POW!”. So while I’m storming for ideas- whether to do something historical or funny or funny historical or not historical or funny at all- you know. different. While I was doing this I figured I might use this to reprint some of my old Rabid Rabbit contributions. I literally blew the dust off the files from the very my very first contribution to Rabid Rabbit– “the Night of the Rabid Rabbit” as you may know- Paul Hoppe and I created Rabid Rabbit way back in 2005. Literally to have something for MoCCA that year. So we conned and guilted a few of our talented friends- Fay Ryu, Sakura Maku, David Sandlin, Anuj Shrestha, and Sam Weber into contributing their time and talent into the creating the very 1st Rabbit- “the Night of the Rabid Rabbit”
The comic was pretty rough so over the last couple of days I went back in and reworked the script and cleaned up drawing and added some tones- back then we hand made the Rabbits so they could only be black and white- so long ago! It was fun comic and I still like it’s satirical slant. If you had asked Paul and I that in 2009 that Rabid Rabbit 10- “Rabid Rabbit’s Kitty Kitty” will be debuted at MOCCA we would have laugh you out the door, down the street and most likely out of the country. So, Come to the MoCCA festival and give us sympathetic pat on the back.
As I’ve said before I had a great time at the Stumptown Comics festival in Portland, Oregon. I met so many cool people and got some amazing comics. A couple of days before at the Kennedy School I met an individual named “Tiny”. At 6+ feet and wearing a t-shirt that said “I beat anorexia”. Tiny, liked the civil war. He had done some Re-enacting and loved history. I signed him a copy of Gettysburg and He said he’d bring his friends who write comic blog by to check it out.
That he did. Brian of the Stumptown Trade Review wrote up what I’d consider an accurate critique of Gettysburg. Cheers to that.
Writing. Writing. Writing. Drawing. I wish it was the other way around. But my comics don’t write themselves (it’d be both creepy and cool if they did and it would make an excellent b-horror movie). I’m currently researching Harriet Tubman and I’ve started an outline for a graphic novel about her. I’m also getting ready for MoCCA– I’d like to have a new mini ready for it- we’ll see
We keep doing it. Against our better judgment and the concerns of Adam Eye- We gone and put together another Rabid Rabbit. Rabid Rabbit’s Kitty Kitty, our tenth issue will be debuted at the 2009 MoCCA Festival. At eighty pages it’ll clock in as our heftiest book to date. It’s a comic book dedicated to cats, so really you’ll either love it or hate it- That’s my 1st page there.
Ohh, man. I’m tired in too many ways to describe. I just got back from Portland, OR after attending a great Stumptown comicsfest. It was a truly good time and cheers to everyone I met there-
On another note my interview with Dr. Katie Monnin about Graphic Novels is now up at the Graphic Novel Reporter. It was good fun and she asked some great questions so Check that out! Dr. Katie Monnin is an assistant professor of literacy at the University of North Florida.
I was asked by Dr. Katie Monnin, a professor of Literacy at the University of North Florida recently for my thoughts on comic/graphic novels and there growing presence in the world of education. Below is some of what I wrote her- It’s an overview so I don’t explore some of the historical aspects completely.
When considering Graphic Novels and comics and their place within classroom, one must first examine the initial prejudice that is often associated with them.
Since the 1950’s comics have been categorized as lowbrow children’s reading material. This was greatly propagated by Dr. Frederic Wertham who 1954 published the popular The Seduction of Innocence. This book argued that comics encourage juvenile delinquency and should be regulated by the government. It’s the same argument that haunts every generation whether it be video games or rap music, some form of media is corrupting our kids (so we’re not responsible for their bad behavior). The major comics publishers of the day were dragged to a public hearing before congress. Although no federal laws were passed the industry adopted a voluntary “comics code” to regulate themselves. This code strictly established restrictions that determined that comics were for children only. The code decimated the industry putting any publisher who did not adhere to its standards nearly out of business. What was once a broad and growing industry was now reduced to limited selection of genre’s and an audience below twelve.
This view is slowly changing with American audiences and can be partially attributed to the rise of graphic novels and manga. But for many this prejudice still exists and hinders the use of graphic novels and comics within the classroom. Comics must be considered equal to other forms of literature within the classroom. Only then can they start to be taught to the fullest potential.
The term Graphic Novel was adopted by comic creators to counter this very prejudice. The term was made popular in 1978 by Will Eisner when he used it on the paperback edition of his book “A Contract with God”. Eisner used the term to separate his book from comic books, which were regarded as cheap children’s reading material.
At this point many within the educational field only see comics as a “gateway” to literacy. Where it is true that comics can help struggling readers. We shouldn’t forget that they are not just a tool towards literacy, but its own form of literacy. As a unique form of literacy students must learn to read comics and in many cases adults need to relearn how to read comics. An excellent example of this is the introduction of Manga (Japanese comics) in the original format. Up until recently Manga has been translated and reformatted for western audiences. The current trend is to publish the comics translated but in its original Japanese format of being read right to left (this is harder than it sounds and must be learned). With the understanding that comics is a unique form literature I think teachers will find them as dynamic as any other form. But if teachers think of comics simply as a tool and not as literature then I think they may have trouble using comics successfully in the classroom.
Once we overcome this prejudice then comics, manga, and graphic novels can be used as any other form of media with the classroom.
I’ve started playing around with this cool website and have created this poorly made very obnoxious video. maybe one of many to come?
I’m starting to get ready to go to PDX next week for the Stumptown comicfest- which I’m really excited for. My brother and I will have a table and will pushing Rabid Rabbits and our own stuff. I’m currently working on a the early stages couple of graphic novels. One about a zombie cat and the other about Harriet Tubman- yes my work does have a theme…